For interior designers, architects & design firms
Art sourcing, reimagined for interior designers.
Exceptional original art, direct from the artist. Michel works with design professionals throughout the United States and abroad to make sourcing original artwork more personal, more responsive, and more useful to the finished space.
Artist-direct, with no unnecessary layers.
Sourcing art should be one of the most inspiring parts of designing a space, not one of the most complicated. With Michel, there are no layers of representation between the designer, the artist, and the finished room. You are not navigating multiple vendors to assemble a cohesive collection. You are working directly with the person who made the work.
That direct relationship gives you access to thousands of original works and images, designer pricing, preferred pricing for multi-piece placements, and a real conversation about architecture, palette, scale, and personality. It is high-end art sourcing with fewer obstacles and more attention on what belongs in the room.
Michel’s practice moves deliberately between bold, colorful abstract work and raw, moody abstract landscapes. There is also collage, assemblage, work with visible words, scripture, poems, lyrics and quotes, dog art, abstract cross art, and the Creation Series. The material changes because a project may need a different emotional register, not because the work is chasing a trend.
A curated point of view is worth more than an endless catalog.
More is not necessarily better. An enormous catalog only helps when the work itself meets the standard of the project. Sorting through generic imagery, mass-produced décor, inconsistent quality, and work made primarily to fill inventory does not make sourcing easier. It simply gives you more to eliminate.
Michel offers a substantial body of original works and images with something a vast marketplace cannot replicate: a distinct artistic point of view and the consistency of a professional, full-time artist. The goal is not to offer the most art on the internet. It is to offer art worth specifying, with presence, texture, depth, movement, and visual integrity.
Start with an original when the project needs the physical presence of a one-of-one piece. For a specific wall, rollout, or repeatable installation, fine art canvas prints make it possible to work at scale, with standard and custom sizes, diptychs, triptychs, quadtychs, and floater framing.
Explore fine art print options or view available original work when you are ready to narrow the field.
See the art in your room before you specify it.
Send Michel a photo or rendering of the room, along with the relevant measurements, and she can show selected artwork within the actual space. Not a generic approximation. Your room, your wall, your project.
This complimentary visualization helps you evaluate scale, proportion, placement, color relationships, and overall visual impact before a final decision. It also gives you something concrete to bring to a client presentation, which can replace uncertainty with a clear visual answer.
You do not need Photoshop skills or a generic art desk. Michel can talk through visual weight, color direction, framing, custom sizing, and the difference between a piece that merely fits and one that changes the temperature of a room.
Original art should look like original art.
Michel has been making art full-time since 2003. Her work is held in more than 5,000 private and corporate collections across more than 40 countries, and has appeared in homes, offices, restaurants, and film settings. That history brings a practiced understanding of how artwork changes when it leaves the studio and meets a real interior.
There is an important distinction between art made for a considered interior and inexpensive wall décor manufactured to occupy empty space. Designers spend enormous time considering materiality, proportion, lighting, furniture, finishes, textiles, and architectural detail. The artwork should rise to that level of consideration. It should feel collected rather than filled in, intentional rather than generic, distinctive rather than ubiquitous.
For hospitality, corporate, healthcare, senior living, cruise, yacht, and broader commercial work, visit art consulting and project sourcing. For a project that needs product application or brand collaboration, visit licensing and partnerships. For art sourcing, the path is simpler: bring the room, the dimensions, and the feeling the room needs to hold.
Build a project rhythm, not a matching set.
When a project reaches across several rooms, the work does not need to repeat itself to feel related. A saturated abstract can carry one room, while a quieter negative-space piece shifts the next. A cross assemblage or a work with visible language can make a more personal room feel intentional without turning the project into a theme.
The useful question is not whether every selection matches. It is whether the work shares a pulse. Michel’s paintings and mixed-media pieces hold together through the same instinct for surface, gesture, tension, and emotional charge. That gives a designer a more flexible vocabulary than a single look repeated at different scales.
For a lobby, suite, office, restaurant, or layered residence, that range makes it possible to move between color, mood, and material while keeping the project from going flat. The work can be conversational in one space and more private in another. It can meet clean architecture with friction or bring warmth to a room that has already said everything in neutrals.
Bring enough of the project to make a useful first move.
A strong starting brief can be simple. A room photo, a target wall, approximate dimensions, and a few words about the feeling you want to protect are enough to begin narrowing the field. If there is an existing palette, material story, or piece of furniture that cannot be ignored, include that too. It helps Michel respond to the actual room rather than an abstract wish list.
It is also useful to say what the art should not do. Some projects need an energetic interruption. Others need depth without heaviness, color without sweetness, or a piece that can stand near strong architecture without becoming decoration. That kind of clarity is often more valuable than a long list of references.
From there, the conversation can move toward originals, fine art canvas prints, custom sizes, framing, a room mockup, or a broader group of works. The point is to get past the endless scroll and toward a choice with a real relationship to the space.
Less searching. More designing.
Your expertise is creating extraordinary spaces. You should not have to spend countless hours sorting through mediocre artwork to find the few pieces capable of finishing them. Michel helps narrow the collection around the project: the room, dimensions, aesthetic direction, palette, budget, number of pieces, or simply the feeling the space needs to create.
That makes the process personal and efficient, whether the assignment is one statement piece, a multi-room residence, a model home, a hospitality project, or a commercial installation. You gain the cohesiveness of working with one professional artist, while retaining enough range to make every room feel layered, varied, and particular to the project.
Work through the details before you specify.
Compare scale, format, palette, and project requirements in the art buying guides. For a substantial wall, explore large-scale contemporary abstract art, then bring the dimensions and a room photo into the conversation.
Bring the project into view.
Share a photo, a floor plan, a target wall, or a few words about the space. Michel can help you move from a direction to work that belongs there.
Discuss a Design ProjectFrequently asked questions
Can I request a room visualization?+
Yes. Send a photo or rendering of the space with relevant measurements, and Michel can place selected artwork into the actual room. It is a practical way to judge scale, palette, placement, and presence before you specify the work.
Can artwork be ordered in a custom size?+
Yes. Fine art canvas prints are available in standard and custom sizes. Diptychs, triptychs, quadtychs, and floater framing are also available when a project needs a more architectural solution.
Do you work with commercial and hospitality projects?+
Yes. Michel’s work is held in private and corporate collections, and she works with designers on residential, office, restaurant, and other commercial spaces. Share the project brief through the contact page to begin the conversation.
Can I source work for more than one room?+
Absolutely. A project can move between bold color, raw moody landscapes, abstract work with text, and found-object pieces without losing the hand behind it. Michel can help identify a group of works that gives each space its own charge while keeping the larger project coherent. Multi-piece placements can also qualify for preferred project pricing.